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从工厂女孩到K-Pop偶像女孩:韩国流行音乐产业中发展主义、父权制和新自由主义的文化政治-From Factory Girls To K-Pop Idol Girls: Cultural Politi

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上传于 2020-03-06 48次下载 2843次围观
文件编号:10806
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标题(title):From Factory Girls To K-Pop Idol Girls: Cultural Politics Of Developmentalism, Patriarchy, And Neoliberalism In South Korea’s Popular Music Industry
从工厂女孩到K-Pop偶像女孩:韩国流行音乐产业中发展主义、父权制和新自由主义的文化政治
作者(author):Gooyong Kim, Douglas Kellner
出版社(publisher):Lexington Books
大小(size):2 MB (2311026 bytes)
格式(extension):pdf
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Focusing on female idols' proliferation in the South Korean popular music (K-pop) industry since the late 1990s, Gooyong Kim critically analyzes structural conditions of possibilities in contemporary popular music from production to consumption. Kim contextualizes the success of K-pop within Korea's development trajectories, scrutinizing how a formula of developments from the country' rapid industrial modernization (1960s-1980s) was updated and re-applied in the K-pop industry when the state had to implement a series of neoliberal reformations mandated by the IMF. To that end, applying Michel Foucault's discussion on governmentality, a biopolitical dimension of neoliberalism, Kim argues how the regime of free market capitalism updates and reproduces itself by 1) forming a strategic alliance of interests with the state, and 2) using popular culture to facilitate individuals' subjectification and subjectivation processes to become neoliberal agents. As to an importance of K-pop female idols, Kim indicates a sustained utility/legacy of the nation's century-long patriarchy in a neoliberal development agenda. Young female talents have been mobilized and deployed in the neoliberal culture industry in a similar way to how un-wed, obedient female workers were exploited and disposed on the sweatshop factory floors to sustain the state's export-oriented, labor-intensive manufacturing industry policy during its rapid developmental stage decades ago. In this respect, Kim maintains how a post-feminist, neoliberal discourse of girl power has marketed young, female talents as effective commodities, and how K-pop female idols exert biopolitical power as an active ideological apparatus that pleasurably perpetuates and legitimates neoliberal mantras in individuals' everyday lives. Thus, Kim reveals there is a strategic convergence between Korea's lingering legacies of patriarchy, developmentalism, and neoliberalism. While the current K-pop literature is micro-scopic and celebratory, Kim advances the scholarship by multi-perspectival, critical approaches. With a well-balanced perspective by micro-scopic textual analyses of music videos and macro-scopic examinations of historical and political economy backgrounds, Kim's book provides a wealth of intriguing research agendas on the phenomenon, and will be a useful reference in International/ Intercultural Communication, Political Economy of the Media, Cultural/ Media Studies, Gender/ Sexuality Studies, Asian Studies, and Korean Studies.
Table of contents :
Contents......Page 9
Foreword......Page 11
Acknowledgments......Page 15
Introduction......Page 19
1 Popular Culture as a Strategic Field of Neoliberal Intervention......Page 41
2 K-Pop Idol Girl Groups as Cultural Genre of Neoliberalism......Page 67
3 Between Hybridity and Hegemony in K-Pop’s Global Popularity......Page 83
4 Genealogy and Affective Economy of K-Pop Female Idols......Page 101
5 Elusive Subjectivity of K-Pop Female Idols......Page 117
6 Resilience, Positive Psychology, and Subjectivity in K-Pop Female Idols......Page 133
7 The 90s, the Most Stunning Days of Our Lives......Page 147
Conclusion......Page 163
References......Page 167
Index......Page 185
About the Author......Page 193

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从工厂女孩到K-Pop偶像女孩:韩国流行音乐产业中发展主义、父权制和新自由主义的文化政治-From Factory Girls To K-Pop Idol Girls: Cultural Politi
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